Tiit Palu uuslavastus „Kuum suvi’93“ räägib 1993. aasta sündmustest Narvas. See oli aeg, kui kõik muutus korraga – raha, reeglid, piirid ja lootused. Oli tunne, et elu on nagu restart, aga keegi ei selgitanud, mis saab edasi.
1993. aasta juulis korraldasid kohalikud võimud Narvas ja Sillamäel referendumi autonoomia küsimuses. Mart Laar, kes oli peaminister, on seda hiljem nimetanud kõige raskemaks kriisiks oma valitsusajal. Õhus oli võimalus, et osa Ida-Virumaast eraldub Eestist või isegi liitub Venemaaga. Silme ees olid konfliktid Transnistrias ja Abhaasias – Narvast oli saanud pingekolle.
Valitsus saatis eriesindajana Narva noore Indrek Tarandi, kelle ülesandeks sai olukorra hindamine ja referendumi korraldajate mõjutamine. Referendum toimus 16. ja 17. juulil 1993.
Lavastus räägib Narva referendumi loo läbi kahe võimaliku vaatepunkti – vaade Narvale väljast ja Narvast seest. Selleks kohtus autor sündmuses osalenutega, kogus dokumente ja tegi intervjuusid.
Autor ja lavastaja: Tiit Palu
Kunstnik: Pille Jänes
Helilooja: Astra Irene Susi (Teater Endla)
Valguskunstnik: Margus Vaigur (Teater Endla)
Produtsent: Liisa Liksor
Etenduse juht: Triinu Reigo
Laval: Hendrik Toompere (Eesti Draamateater) ja Luisa Lõhmus.
“Elu teatris” on David Mamet 26 armastuskirja teatrile.
See, mis juhtub eesriide ees, on vaid osa tõest. Aga mis juhtub eesriide taga? Kutsume vaataja lava taha, kuhu tavaliselt publik ei näe ning näitame teatrielu avameelselt ja ausalt.
Laval kohtuvad kaks inimest. Ühega tuleb kaasa aastatepikkune kogemus, teisega uudishimu ja soov õppida. Ja ometi ei räägi see lugu ainult teatrist. See räägib elust endast, kus põimuvad ja põrkuvad koomiline ja traagiline, traditsiooniline ja uuenduslik, kogemus ja maailma avastamine.
Ja selleks ei ole palju vaja. Kaks inimest ja pealtvaatajad. Rohkem ei olegi vaja.
Osalised
- Lavastaja - TIIT ALTE
- Kunstnik - RIINA VANHANEN
- Valguskujundaja - PRIIDU ADLAS (Eesti Draamateater)
- Muusikaline kujundaja - ARDO RAN VARRES
- Autor - DAVID MAMET
- Tõlkija - MEELIKE PALLI
Laval
PÄÄRU OJA ja JARMO REHA
Ray Cooney komöödia „Võrku püütud“ on järg tema menunäidendile „Run for Your Wife!“, mida eesti publik tunneb nime all „Oi, Johnny!“.
Lavastaja Tanel Jonas
Kunstnik Kristjan Suits
Tõlkijad Tanel ja Pirjo Jonas
Osades Margus Tabor (külaline), Vallo Kirs või Rait Õunapuu, Ilo-Ann Saarepera (külaline) või Margaret Sarv, Ringo Ramul (külaline) või Oskar Punga, Triinu Meriste (külaline), Jaana Kena ja Andres Tabun
Kaheksateist aastat on taksojuht John Smith nautinud täiuslikku õnne. Tal on hubane kodu, kus teda ootavad armastav naine ja ilus tütar. Ning siis veel ka teine kodu, kus ootamas sama armastav naine ja tore poeg. Loomulikult ei tea perekonnad teineteise olemasolust midagi ja rahuloleva Johni arvates võiks see nii ka jääda. Ühel ilusal päeval kohtuvad tema lapsed ootamatult internetis ja jõuavad arusaamisele, et nende isad on väga sarnased. Sündmuste ahel, mille see tutvus käivitab, on nii hullumeelne, et päeva lõpus on John nõus kasvõi vanakuradi vanaemaga tantsu lööma, selleks et tema saladus päevavalgele ei tuleks.
Laval suitsetatakse!
A voyage into strange worlds—and ourselves.
GULLIVER’S TRAVELS is one of the most significant and widely read classics of English literature, and has been since its publication in 1726.
George Orwell called it “one of the ten best books ever written”, and on its original publication it was hailed as being “read from the nursery to the Houses of Parliament”. TNT’s acclaimed version has the same appeal, at once an entertaining adventure story and a profound analysis of the human condition.
The production will be revived in 2026–2027 and Gulliver will travel from Estonia to Spain. Join us on the greatest fictional voyage, a voyage not only to wild lands peopled with mad scientists and talking horses but into our own selves.
The production has toured from China to Malta and Germany to Malaysia. It has been performed in simple school halls and the National Centre for the Performing Arts in Beijing. One of Europe’s leading newspapers described this TNT production in detail:
This utopian satirical novel by Jonathan Swift is one of the most read books of world literature. The story was ascribed to a fictional author, namely Lemuel Gulliver, who has experienced amazing adventures as a ship’s doctor and later as a captain. He not only travelled into the land of Lilliput and to the island of giants Brobdingnag, but also to the flying island Laputa, whose inhabitants are so intensely involved in mathematics, music and astronomy that they are almost unable to develop personal relationships.
His fourth journey brings Gulliver to a country which is ruled by coldly intelligent horses and inhabited by brutal human beasts, the Yahoos. The piece is performed in an almost musical style, with live music and songs. Paul Stebbings brilliantly transforms his actors from dwarfs to giants. First Gulliver on stilts seems excessively large against all the others crawling on their knees. Like Prometheus, the giant Gulliver is captured by the petty, self-important little people of Lilliput. The satire on the rulers of the kingdom of Lilliput was hilarious and at the same time sharp and well observed. On the other hand, the giants of the kingdom of Brobdingnag on their stilts appear alarmingly dangerous.
But the highlight of the performance is the last scene where the horses—either two actors in a horse costume or one actor with a horse head—place Gulliver under more and more pressure, joined by the Yahoos. This is where Swift’s satire on human folly most impressively comes into its own.
Ticket price: 10 Eur/student. Teachers: free admission.
Educational material: free of charge
Recommended age: from 11
A voyage into strange worlds—and ourselves.
GULLIVER’S TRAVELS is one of the most significant and widely read classics of English literature, and has been since its publication in 1726.
George Orwell called it “one of the ten best books ever written”, and on its original publication it was hailed as being “read from the nursery to the Houses of Parliament”. TNT’s acclaimed version has the same appeal, at once an entertaining adventure story and a profound analysis of the human condition.
The production will be revived in 2026–2027 and Gulliver will travel from Estonia to Spain. Join us on the greatest fictional voyage, a voyage not only to wild lands peopled with mad scientists and talking horses but into our own selves.
The production has toured from China to Malta and Germany to Malaysia. It has been performed in simple school halls and the National Centre for the Performing Arts in Beijing. One of Europe’s leading newspapers described this TNT production in detail:
This utopian satirical novel by Jonathan Swift is one of the most read books of world literature. The story was ascribed to a fictional author, namely Lemuel Gulliver, who has experienced amazing adventures as a ship’s doctor and later as a captain. He not only travelled into the land of Lilliput and to the island of giants Brobdingnag, but also to the flying island Laputa, whose inhabitants are so intensely involved in mathematics, music and astronomy that they are almost unable to develop personal relationships.
His fourth journey brings Gulliver to a country which is ruled by coldly intelligent horses and inhabited by brutal human beasts, the Yahoos. The piece is performed in an almost musical style, with live music and songs. Paul Stebbings brilliantly transforms his actors from dwarfs to giants. First Gulliver on stilts seems excessively large against all the others crawling on their knees. Like Prometheus, the giant Gulliver is captured by the petty, self-important little people of Lilliput. The satire on the rulers of the kingdom of Lilliput was hilarious and at the same time sharp and well observed. On the other hand, the giants of the kingdom of Brobdingnag on their stilts appear alarmingly dangerous.
But the highlight of the performance is the last scene where the horses—either two actors in a horse costume or one actor with a horse head—place Gulliver under more and more pressure, joined by the Yahoos. This is where Swift’s satire on human folly most impressively comes into its own.
Ticket price: 10 Eur/student. Teachers: free admission.
Educational material: free of charge
Recommended age: from 11
Armastus on loodusjõud
See pole pelgalt ühe kire lugu, vaid inimlike, katastroofiliste mustrite lugu.
Sest me ei saa armastuse vastu.
Keskealine naine tutvub hotelli baaris noormehega, keda ta oma tööreisidele kaasa võtma hakkab. Juhuslikust tutvusest areneb kiirelt kummaline, kuum ja pidevalt uusi küsimusi tekitav armusuhe, samal ajal kui maailm nende ümber kliimakriisis hävib.
Mida teeb inimene, kui ta seisab vastamisi sellega, mis on temast nii palju suurem? Kui see on hirmuäratav, kuid vastupandamatu?
Osalised:
- KUNSTNIK Eugen Tamberg
- VALGUSKUNSTNIK Léon Augustin Allik
- MUUSIKALINE KUJUNDAJA Aleksandra Koel
- KEHADRAMATURG Anumai Raska
- PRODUTSENDID Ere Naat ja Erki Laur
- ETENDUSE JUHT Elis Listra (TÜVKA)
Toimumiskoht: Salme Kultuurikeskus, Vaba Lava Black Box